Record Label Distribution Agreement

It is obviously impossible to generalize and the details change from agreement to agreement. Overall, however, this type of agreement is often the result of distributors promising to use their network, contact and infrastructure to give you more streams (via radio plugin and playlisting on streaming sites) or more syncs for your music. The industry seems to be feeling the effects of the new age distributor, as major labels and distributors now seem to be working together to find artists. Lee Parsons, founder/CEO of Ditto Music, says: “I canoe every day with major labels, the market is now more than ever in the favor of the independent artist.” (on Billboard Biz) A distribution contract with these companies could also come with an advance, but not the same amount as a label, but always an advance. A $50,000 advance, while they still have your master`s degree, Lite label services and, in the worst case, getting a 50/50 split, is a very good deal and something that artists are looking for more. The distributor then obtains these costs from record sales – and a predetermined profit percentage. Distributors who offer such offers often offer other services, such as marketing. This type of agreement is becoming less and less relevant given the decline in music sales and the increase in digital distribution. But from the point of view of a record label, especially an independent label with limited resources and resources, an agreement on DMs can save lives, especially if they want to produce physical copies of albums. Despite the challenges associated with the use of DMs, due to the emergence of music streaming and the decline in physical album sales, the M-D for independent labels can be an important way to keep cash flows healthy. A music recording contract defines the terms of the recording and distribution process.

It gives the label contractual assurances regarding the performance and behavior of singers, songwriters, band members, during the recording and release of an album. At the same time, it can allow the artist to be autonomous in certain aspects of the creative process and provides that the record label will bear the costs of producing and promoting an album. These are usually the issues that need to be resolved in order for a label to work with a host artist. In any case, Smart Money says that this is not the type of distribution agreement on which you are looking for information today. “A-R” – An A-R person is an employee of a record company responsible for the research and development of new talent, including matching artists specific to appropriate performance material. It`s tricky. I mention this because I often meet with artists to check a market that has been proposed to them, which calls itself a “distribution agreement”. On closer inspection, it is clear that these transactions actually contain clauses that one would not expect to see in a distribution agreement – some of which are quite alarming.

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